After a scission of the avant-garde (Berlin) group « KLUSTER » due to the departure of Conrad Schnitzler, the two musicians Dieter Moebius and Hans Joachim Roedelius go to work in duet as « CLUSTER ». The band’s first years were clearly orientated to Krautrock and to experimental electronic music. Consequently, the production of the band started with massive, radical improvisations, constructed around electric organ works, electronic collages, guitar sound manipulations, feed back… The result is rather similar to KLUSTER’s underground, conceptual music, very chaotic with lot of distortion and reverb. With its repetitive, hypnotic guitar patterns and embryonic electronic collages, the second album “II” can be seen as a classic in 70’s German electronic underground. This high quality experimental electronic music will progressively lead the band to something far from the kraut rock scene and extreme music.
Since 1974, CLUSTER has recorded many albums of ambitious, pre-ambient electronic music with gorgeous synth arrangements, a groovy tone and a constant sense of melody. “Zuckerzeit”, “Sowiesoso” and “Grosses Wasser” are the most representative progressive albums of the band’s career.

Cluster - Sowiesoso
1. Sowieoso
2. Halwa
3. Dem Wanderer
4. Umleitung
5. Zum Wohl
6. Es War Einmal
7. In Ewigkeit

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Irmin Schmidt : When we started we didn't start as a rock group. That happened to us. When I founded the group I was a classical composer and conductor and pianist making piano recitals, playing a lot of contemporary music but also Brahms, Chopin and Beethoven and everything. And when we got together I wanted to do something in which all contemporary music becomes one thing.
Contemporary music in Europe especially, the new music was classical music was Boulez, Stockhausen and all that. I studied all that, I studied Stockhausen but nobody talked about rock music like Sly Stone, James Brown or the Velvet Underground as being contemporary music.
Then there was jazz and all these elements were our contemporary music, it was new. It was, in a way, much newer than the new classical music which claimed to be 'the new music'.
But I thought the real, new thing in the 20th Century, which had no European tradition like contemporary music coming from Wagner, Mahler or whatever, was jazz and rock. That was something that came out of a totally new feeling and I wanted to combine them all and, well, I did.
Jaki was a jazz drummer, Mickey was a beat guitarist and Holger had also played jazz and studied classical music and I was a highly, professionally trained conductor and composer who had no idea how to play jazz, well I had an idea but I was much more classical. But I wanted to bring these elements all together and out came Can that made avant garde, progressive rock.

Can - Colchester University May 17, 1975
01. Chain Reaction
02. Bel Air
03. Dizzy Dizzy
04. Pinch > Mother Sky
05. One More Night
06. Half Past One > Vitamin C
07. Meadow Sweet > The Gypsy > Full Moon On The Highway
08. Up The Floyd

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Strawberry Alarm Clock was a one-hit wonder psychedelic rock band from Los Angeles, known for their 1967 hit "Incense and Peppermints".
On their first and most famous single, "Incense and Peppermints", lead vocals were sung by Greg Munford, a 16-year-old friend of the band. The song reached #1 on the Billboard pop singles chart in late 1967. After that success the band added George Bunnell (bass and rhythm guitar) before making their first LP in 1967, also titled Incense and Peppermints. Bunnell would also become their main songwriter. Some early Strawberry Alarm Clock songs were penned by George Bunnell and Steve Bartek (who would much later join Oingo Boingo). Bartek played flute on the debut album, but could not join the band because of school.
The Strawberry Alarm Clock made two notable appearances in films, first in the 1968 Jack Nicholson movie Psych-Out, where they played several songs, including "Incense and Peppermints", "Rainy Day Mushroom Pillow", and "The Pretty Song From Psych-Out", and then in the 1970 Russ Meyer camp classic Beyond the Valley of the Dolls.

Strawberry Alarm Clock - Anthology
1. Incense and Peppermints
2. Tomorrow
3. Sit With the Guru
4. Barefoot in Baltimore
5. Paxton's Back Street Carnival
6. World's on Fire
7. Strawberries Mean Love
8. Rainy Day Mushroom Pillow
9. Sea Shell
10. Blues for a Young Girl Gone
11. Pretty Song from Psych-Out
12. Birdman of Alkatrash
13. They Saw the Fat One Coming
14. Small Package
15. Love Me Again
16. Black Butter-Past
17. Black Butter-Present
18. Black Butter-Future

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The Pearl, released in 1984, is a set of tranquil piano tone poems. The music is simple modal music in an ambient style. What makes it so captivating is the way Eno creates evocative spaces for Budd to play within. This has the effect of making the spaces between notes as important as the notes themselves.
Budd is sensitive to this play between the notes and silence, and tailors his music to allow the notes to drift towards silence. Think of Satie played underwater, and you have an approximation of the effect of these pieces.
There are 11 pieces on the CD, each intriguingly titled; “Late October”, “A stream with bright fish”, or “An echo of night”, for example. The CD artwork captures the idea of the pieces perfectly, too. Irregular patches of glistening iridescent water shine against dark pebbles, almost drawing your eye away from a perfect pearl.
This music is understated, but masterful. It may lure you or lull you, but either way, it is irresistible.

Brian Eno - The Pearl (with Harold Budd & Daniel Lanois)
1. Late October (4:42)
2. A Stream With Bright Fish (3:56)
3. The Silver Ball (3:30)
4. Against The Sky (4:53)
5. Lost In The Humming Air (4:23)
6. Dark-Eyed Sister (4:40)
7. Their Memories (2:27)
8. The Pearl (1:13)
9. Foreshadowed (3:54)
10. An Echo Of Night (2:27)
11. Still Return (4:14)

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Gather In The Mushrooms - The British Acid Folk Underground (1968 - 1974)
* 1. Corn Riggs-Magnet
* 2. Love In Ice Crystals-Sallyangie
* 3. Lyke Wake Dirge-Pentangle
* 4. Graveyard-Forest
* 5. Milk And Honey-Sandy Denny
* 6. Morning Way-Trader Horne
* 7. Buffalo-Writing On The Wall
* 8. Silly Woman-Bert Jansch
* 9. Liz's Song-Shelagh MacDonald
* 10. Lord And Master-Heron
* 11. Old Boot Wine-Spirogyra
* 12. Winter Is Blue-Vashti Bunyan
* 13. All My Friends Are Back Again-Al Jones
* 14. Rosemary Hill-Fresh Maggots
* 15. Love Song-Lesley Duncan
* 16. The Family-Mr Brooks
* 17. Queen Of The Moonlight World-Andy Roberts
* 18. The Herald-Comus

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In the pursuit of what he labeled "Cosmic American Music," Gram Parsons--with the Byrds, the Flying Burrito Brothers, and as a solo artist--helped invent country-rock, forever changing the relationship between the two genres. GP, released in 1973, and GRIEVOUS ANGEL, released posthumously in 1974, are the only two studio albums on which Parsons served as the lone bandleader. With the help of Elvis Presley's backing band and a then unknown singer named Emmylou Harris on harmony vocals, Parsons wrapped up bluegrass, honky tonk, traditional country, R&B, and rock & roll in one delicious package.
Compiled here on one CD, both GP and GRIEVOUS ANGEL are packed with country-rock classics like the character sketch ballad "She," the boot-tapping "That's All It Took," and the irresistibly rocking "Big Mouth Blues," while "Return of the Grievous Angel" is an all-time Parsons gem and one of his most beautiful duets with Harris. The albums flow together perfectly, with the strength of the songwriting and musicianship guaranteeing no missteps along the way (even the covers of "Love Hurts" and a rave-up version of the Louvin Brothers' "Cash on the Barrellhead" sparkle). In addition to its status as one of the quintessential, defining documents of country-rock, GP/GRIEVOUS ANGEL is still a beautiful, satisfying listen decades after its release.

Gram Parsons - GP/Grievous Angel
1. Still Feeling Blue
2. We'll Sweep Out The Ashes In The Morning
3. Song For You, A
4. Streets Of Baltimore
5. She
6. That's All It Took
7. New Soft Shoe, The
8. Kiss The Children
9. Cry One More Time
10. How Much I've Lied
11. Big Mouth Blues
12. Return Of The Grievous Angel
13. Hearts On Fire
14. I Can't Dance
15. Brass Buttons
16. $1000 Wedding
17. Medley Live From Northern Quebec: Cash On The Barrelhead / Hickory Wind
18. Love Hurts
19. Ooh Las Vegas
20. In My Hour Of Darkness

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In the same year that Bob Dylan stepped back from his electric pilgrimages by releasing an album of roots-oriented morality tales, the Byrds took a symbolic flight to Nashville. Gone was Roger McGuinn's singular 12-string guitar sound and the acid rock that had had an effect on everyone from the Monkees to the Velvet Underground. McGuinn now played banjo, and bassist Chris Hillman doubled on the mandolin, both seemingly reconsidering their musical approaches. And while Dylan remained the songwriter of choice, his tunes now sat alongside a rearranged hymn ("I Am a Pilgrim"), a bluegrass version of a famous outlaw tale (Woody Guthrie's "Pretty Boy Floyd"), and a cover of the Louvin Brothers ("The Christian Life"). This was a musical turn, turn, turn, indeed.
The obvious catalyst for all this reconstruction was the arrival of young Gram Parsons, and SWEETHEART OF THE RODEO played as if it was his coming-out party. He introduced Hillman and McGuinn to a musical world that seemed totally foreign to these predecessors of the Summer of Love, but one which lay a scanthundred miles outside their L.A. windows, in Bakersfield. Parsons' most important act was to help shape the overall sound of the album, but he contributed two original songs as well--"One Hundred Years From Now" and "Hickory Wind", a signature composition he'd record again. SWEETHEART OF THE RODEO caused an entire musical community to reconsider the musicaltraditions of America.

The Byrds - Sweetheart of the Rodeo: Legacy Edition
Disc: 1
1. You Ain't Going Nowhere
2. I Am A Pilgrim
3. The Christian Life
4. You Don't Miss Your Water
5. You're Still On My Mind
6. Pretty Boy Floyd
7. Hickory Wind
8. One Hundred Years From Now
9. Blue Canadian Rockies
10. Life In Prison
11. Nothing Was Delivered
12. All I Have Is Memories (instrumental)
13. Reputation
14. Pretty Polly
15. Lazy Days
16. The Christian Life (master take - Gram Parsons vocal)
17. You Don't Miss Your Water (master take - Gram Parsons vocal)
18. One Hundred Years From Now (master take - Gram Parsons vocal)
Disc: 2
1. Sum Up Broke
2. One Day Week
3. Truck Drivin' Man
4. Blue Eyes
5. Luxury Liner
6. Strong Boy
7. Lazy Days (alt. version)
8. Pretty Polly (alt. version)
9. Hickory Wind (alt. "Nashville" version)
10. The Christian Life (rehearsal version - Gram Parsons vocal)
11. The Christian Life (rehearsal version - - Gram Parsons vocal)
12. Life In Prison (rehearsal version - Gram Parsons vocal)
13. Life In Prison (rehearsal version - Gram Parsons vocal)
14. One Hundred Years From Now (rehearsal version - Gram Parsons vocal)
15. One Hundred Years From Now (rehearsal version - Gram Parsons vocal)
16. You're Still On My Mind rehearsal version - Gram Parsons vocal)
17. You're Still On My Mind (rehearsal version - Gram Parsons vocal)
18. All I Have Is Memories (alt. version)
19. All I Have Is Memories (alt. version)
20. Blue Canadian Rockies (rehearsal version)

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Just before Gram Parsons cut a wide swath through American music with Sweetheart Of The Rodeo-era Byrds and the Flying Burrito Bros., he forged a new musical genre with the seminal 1967 country-rock sides he cut with his legendary International Submarine Band. It's a young, confident Gram Parsons here, showing the world he's ready for business and firing the first volley in an amazing -- if too brief -- career that would soon stand the rock 'n' roll world on its ear.

International Submarine Band - Safe at Home LHI (Lee Hazelwood International) 12001
1. Blue Eyes
2. I Must Be Somebody Else You've Known
3. Satisfied Mind
4. Folsom Prison Blues/That's All Right
5. Miller's Cave
6. I Still Miss Someone
7. Luxury Liner
8. Strong Boy
9. Do You Know How It Feels to Be Lonesome?

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Epitaph for a Legend is the story of the International Artist(s) (IA) label, which operated out of Austin from 1965 to 1970. The label was run by Lelan Rogers, brother of country music star Kenny Rogers (everyone considered him the coward of the county). IA developed a mystique in the 1960s as it was the label of the 13th Floor Elevators, but a number of other artists were on IA, including Red Krayola (known on early recordings as Red Crayola) and Lightnin' Hopkins. Epitaph for a Legend is a frustrating compilation because the story of the label is as interesting as the music it released, but little of that story is told on this compilation. Everything about this compilation is raw, from the sound quality of the recordings to the stark black-and-white graphics to the interview with Lelan Rogers printed (in maddeningly small type on the booklet—would it have cost that much extra to have used a larger font and another sheet of paper?). The interview ends because, as the liner notes explain, the tape ended. The interviewer gives no information about Lelan Rogers except to waste several lines describing his office in Century City at the time of the interview (but I have no idea when interview took place because, of course, that information is nowhere to be found. Some time in the 1980s perhaps?) From the content of the interview, readers will be able to figure out that Rogers ran the label but had a tenuous relationship with the rock acts on the label because of his age (he was around 40 when the 13th Floor Elevators were recording for IA) and because he was more "establishment" than the musicians on the label. Still, under his leadership the label released some significant music and he is justified in claiming that the San Francisco sound first emerged in Texas with the Elevators.

Epitaph for a Legend - International Artists Story
Disc 1
1. Chaynes - "Night Time" (3:02)
2. Patterns - "In My Own Time" (2:21)
3. Chapparrals - "I Tried So Hard" (2:54)
4. Thursday's Children - "A Part of You" (2:11)
5. Electric Rubayyat - "If I Were a Carpenter" (2:40)
6. Sonny Hall - "Poor Planet Earth" (2:11)
7. Inner Sense - "Communication Breakdown" (2:55)
8. The Red Krayola - "Hurricane Fighter Plane" (3:56)
9. The Red Krayola - "Pink Stainless Tail" (4:14)
10. The Red Krayola - "Nickle Niceness" (2:59)
11. The Red Krayola - "Vile Vile Grass" (2:20)
12. The Red Krayola - "Transparent Radiation" (2:53)
13. Emperors - "I Want My Woman" (2:41)
14. Lost & Found - "25 M.P.H." (2:08)
Disc 2
1. Big Walter - "Breakfast in Bed" (2:31)
2. Dave Allen - "C.C. Rider" (2:34)
3. Dave Allen - "Saturday A.M. Blues" (4:02)
4. Lightnin' Hopkins - "Conversation with Lightnin' Hopkins" (3:40)
5. Lightnin' Hopkins - "Black Ghost Blues" (3:52)
6. Various Artists - "Excerpts from Interview With Roky, Ksam 4/1/78" (2:43)
7. Spades - "You're Gonna Miss Me" (3:24)
8. Spades - "We Sell Soul" (3:14)
9. Roky & C. Hall - "Splash I" (3:12)
10. Roky & C. Hall - "Right Track Now" (3:12)
11. 13th Floor Elevators - "Wait for My Love" (3:41)
12. 13th Floor Elevators - "60-Second Radio Spot/Bull of the Woods" (1:07)
13. 13th Floor Elevators - "Fire Engine" (3:17)

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Harold Budd & Brian Eno - Ambient 2 The Plateaux of Mirror
1. First Light
2. Steal Away
3. The Plateaux Of Mirror
4. Above Chiangmai
5. An Arc Of Doves
6. Not Yet Remembered
7. The Chill Air
8. Among Fields Of Crystal
9. Wind In Lonely Fences
10. Failing Light

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Eno - Moebius - Roedelius - After the Heat
1. Forgein Affairs (3:30)
2. The Belldog (6:16)
3. Base & Apex (4:29)
4. Tzima N'Arki (4:30)
5. Luftschloß (3:10)
6. Oil (4:12)
7. Broken Head (5:25)
8. Light Arms (1:29)
9. The Shade (3:08)
10. Old Land (4:10)

- Brian Eno / synthesizer, keyboards, vocals
- Dieter Moebius / synthesizer, keyboards
- Hans-Joachim Roedelius / synthesizer, keyboards
- Holger Czukay / bass

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Before starting a fruitful career in solo, Michael Rother integrated Cluster’s side project called Harmonia. Initially formed by Hans Joachim Roedelius and Dieter Moebius, the band had the intention to go further in ambient music approach. Rejecting a great part of the experimental side of Cluster’s music (I & II), they recorded "Musik von" in 1974. Michael Rother who produced the same year Cluster’s Zukerzeit, collaborated in Harmonia for guitars, ambient synth parts. With rather discreet appearances of the band on stage, the promotion of "Musik von" failed to attract the attention of the public. Musically the compositions stay obscure, consisting of complex, “avant-garde” pieces made for electronic gadgets, organs, including drum machines, repetitive pulses. The atmosphere is "abstract", sometimes "cosmic" but still melodic. In 1975, the trio recorded its seminal "Deluxe" with the participation of Mani Neumeier (Guru Guru) on drums. The album was produced by Michael Rother himself. With new, various compositional ideas, inventive synthesized sounds and Rother’s guitar signature, this album is more relaxed, light than the previous one. Historically it remains a pre-ambient electronic standard. Brian Eno who is fascinated by the music of Harmonia joined the musicians on stage during a concert at the Fabrik Club in Hamburg.
He finally collaborated with the band in 1976 for their last album "Harmonia 76- Tracks & traces". The music is clearly into ambient, "aquatic", dreamy atmospheres with floating synth effects, repetitive guitar lines. ENO wrote the lyrics and provided some synth parts. After Harmonia’s dissolution, Brian Eno will work with Roedelius & Moebius for several personal albums.

Harmonia & Brian Eno - Tracks & Traces / Harmonia 76
1. Vamos Companeros (4:34)
2. By The Riverside (9:30)
3. Luneburg Heath (4:56)
4. Sometimes In Autumn (15:52)
5. Weird Dream (6:41)
6. Almost (5:30)
7. Les Demoiselles (4:02)
8. When Shade Was Born (1:33)
9. Trace (1:33)

- Michael Rother / guitar, keyboards, drum-machine
- Dieter Moebius / synthesizer, mini-harp
- Michael Roedelius / keyboards
- Brian Eno / synthesizer, e-bass, voice, lyrics

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Cluster & Eno - Cluster & Eno (1977)
1. Ho Renomo
2. Schöne Hände
3. Steinsame
4. Wehrmut
5. Mit Simaen
6. Selange
7. Die Bunge
8. One Écouter
9. Für Luise

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Lee Hazelwood - These Boots Are Made For Walkin': Complete MGM Recordings
Disc: 1
1. The Girls In Paris – Lee Hazlewood w/ Suzi Jane Hokum
2. My Baby Cried All Night Long
3. My Autumns Done Come
4. Summer Wine – Lee Hazlewood w/ Suzi Jane Hokum
5. I Move Around
6. Your Sweet Love
7. Sand – Lee Hazlewood w/ Suzi Jane Hokum
8. Dark In My Heart
9. After Six
10. I Am A Part
11. Bugles In The Afternoon
12. Not The Lovin Kind
13. These Boots Are Made For Walkin'
14. José
15. The Old Man And His Guitar
16. So Long Babe
17. For One Moment
18. Home (I'm Home)
19. The Nights
20. Suzi Jane Is Back In Town – Lee Hazlewood w/ Suzi Jane Hokum
21. In Our Time
22. When A Fool Loves A Fool
Disc: 2
1. Shades
2. This Town
3. Child
4. Stone Cold Blues
5. Little War
6. Them Girls
7. Fort Worth
8. Hands
9. Mannford Oklahoma
10. Summer Nights
11. Muchacho (Instrumental) - Lee Hazelwoods Woodchucks
12. Batman (Instrumental) - Lee Hazelwoods Woodchucks
13. Frenesi (Instrumental) - Lee Hazelwoods Woodchucks

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Popol Vuh – Best of the Films of Werner Herzog
1. Woe Be To Khorazin
2. In The Garden Of Community
3. Death Of A Bandit
4. As Though The Angels Walked On Earth
5. A Different World
6. Oh Hear, Thou Who Darest
7. Brothers Of Darkness-Sons Of Light
8. Angels In The Sky
9. We Are Aware Of The Misery
10. Lacrime Di Re

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Mano Negra was a French band fronted by Manu Chao. The band was founded in 1987 by Manu, his brother Antoine, and his cousin Santiago Casariego. It split around 1995, but many members had already left by 1992.
Mano Negra mixed a number of styles: Punk rock (influenced by The Clash), Reggae, Ska and Latin music (with a brass section). The band, which is still revered on three continents, had been among the pioneers of world music fusion and are a direct influence to countless bands in Europe and South America.
La Mano Negra ("The Black Hand") was an alleged anarchist organization in Spain. The Spanish police accused most of the Spanish anarchists of being part of the organization.
It is also a common expression in Spanish to say "Aquí hubo mano negra" ("There was a black hand here") to say that something has been made illegally or lacking moral values.

Mano Negra - Amerika Perdida [Live]
1.: Mano Negra
2.: Mala Vida
3.: Amerika Perdida
4.: Peligro
5.: Sidi H'Bibi
6.: Noche De Accion
7.: El Sur
8.: Patchuko Hop
9.: Mano Negra
10.: Patchanka
11.: Indios De Barcelona
12.: Guayaquil City
13.: El Jako
14.: Soledad
15.: King Kong Five
16.: Salga La Luna

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Fading Yellow - Vol. 1 Timeless Pop-Sike and Other Delights 1965-69
1. Kate - "Strange Girl" (3:03)
2. Dean Ford and the Gaylords - "That Lonely Feeling" (2:41)
3. Eddy Howell - "Easy Street" (3:01)
4. Mike Batt - "Fading Yellow" (3:45)
5. Steff Sulke - "Oh, What a Lovely Day" (3:04)
6. John Williams - "Flowers in Your Hair" (2:42)
7. Zephyrs - "I Just Can't Take It" (2:31)
8. Jon - "Is It Love" (2:52)
9. Koobas - "Woe Is Love My Dear" (2:27)
10. Orange Bicycle - "Competition" (2:40)
11. Gremlins - "The Only Thing On My Mind" (2:06)
12. Quintin E. Klopjaeger & the Gonks - "The Long Way Home" (2:28)
13. Sundragon - "Far Away Mountain" (2:57)
14. Juan and Junior - "Andurina" (3:09)
15. Hamlet - "She Won't See the Light" (2:08)
16. Paul & Barry Ryan - "Madrigal" (2:17)
17. Phil Cordell - "Red Lady" (2:25)
18. Ronnie Bird - "Sad Soul" (2:52)
19. Ronnie Bird - "Raining in the City" (2:37)
20. Elliots Sunshine - "'Cos I'm Lonely" (3:08)
21. Peter Janes - "Do You Believe (Love Is Built on a Dream)" (2:54)
22. Bliss - "Lifetime" (2:47)
23. Jackpots - "King of the World" (2:50)
24. Members of Time - "Dreamin'" (2:38)
25. Aerovons - "World of You" (2:24)

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Fading Yellow - Vol. 2 - 21 Course Smorgasbord of US Pop-Sike & Other Delights 1965-69
1. Disraeli - "What Will the New Day Bring?" (3:08)
2. Network - "Ears of Stone" (2:50)
3. Whispers - "Knowin'" (2:36)
4. July Four - "Frightened Little Girl" (2:30)
5. Calliope - "I'll Take It Back" (2:36)
6. George Edwards - "Never Mind, I'm Freezing" (2:30)
7. Poor - "How Many Tears" (2:26)
8. Happy Return - "I Thought I Loved Her" (3:42)
9. Oracle - "Don't Say No" (3:07)
10. Rites - "Hour Girl" (2:49)
11. Dynamics - "All She Said" (2:39)
12. Holy Mackerel - "Scorpio Red" (3:05)
13. Peppermint Trolley Co. - "Trust" (2:40)
14. Higher Elevation - "The Summer Skies" (2:10)
15. Chris and Craig - "Isha" (2:17)
16. Backseat - "Where Is Mary" (2:18)
17. Poor - "Come Back Baby" (2:32)
18. Cascades - "I Bet You Won't Stay" (2:24)
19. Sound Set - "Mind in a Bottle" (2:51)
20. Reign - "Sea of Dreams" (2:18)
21. Look - "In a Whirl" (2:30)
22. unknown artist - "Bonus track" (2:28)

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Fading Yellow - Vol. 3 22 Shiny Jewels of US Pop-Sike & Other Delights 1965-69
1. Eddie Hodges - "Shadows and Reflexions" (2:57)
2. Michael & the Trees - "Show You Love Me" (2:25)
3. Wiggs of 1666 - "It Will Never Be the Same" (2:17)
4. Giant Jellybean Copout - "Look at the Girls" (2:35)
5. Network - "The Boys and the Girls" (2:56)
6. Saturday's Photograph - "Gentle Lovin' San Francisco Man" (2:57)
7. Mark Radice - "Save Your Money" (2:39)
8. Mark Radice - "Wooden Girl" (2:59)
9. Voyage - "One Day" (2:35)
10. River Deep - "Shelley Tell Me Why" (2:12)
11. Springfield Rifle - "Left of Nowhere" (3:17)
12. Lamp of Childhood - "First Time, Last Time" (2:53)
13. Trolley - "Toy Shop" (2:32)
14. East Side Kids - "Take a Look in the Mirror" (2:05)
15. London Phogg - "The Times to Come" (2:59)
16. Carnival - "I'm Going Home Tomorrow" (2:05)
17. Gaitley & Fitzgerald - "Seance Day" (2:20)
18. Scandal - "Girl, You're Goin' Out a My Mind" (2:32)
19. Robbie Curtice - "When Diana Paints the Picture" (2:47)
20. Chicago Loop - "This Must Be the Place" (2:31)
21. Saturday's Photograph - "Summer Never Go Away" (2:08)
22. Cadaver - "Haven't Got the Time" (2:22)

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Fading Yellow - Vol. 4 Light, Smack, Dab Timeless UK 60's Popsike & Other Delights
1. Thoughts & Words - "Morning Sky" (3:36)
2. Piccadilly Line - "At the Third Stroke" (3:03)
3. Majority - "Charlotte Rose" (2:59)
4. J & B - "There She Goes" (2:46)
5. Playground - "The Girl Behind the Smile" (3:02)
6. Frabjoy & Runcible Spoon - "Animal Song" (2:22)
7. Pipes of Pan - "Monday Morning Rain" (3:02)
8. Toyshop - "Send My Love to Lucy" (4:20)
9. Candlelight Trio - "That's What I Want" (2:17)
10. Epics - "Henry Long" (2:46)
11. Finders Keepers - "Light" (3:12)
12. Martin Martin - "Imagine" (2:24)
13. Young Brothers - "Mirror, Mirror" (3:25)
14. Robbie Curtice - "The Soul of Man" (2:32)
15. Alan Bown - "All I Can" (2:46)
16. Jason Paul - "Shine a Little Light into My Room" (2:48)
17. Californians - "Can't Get You Out of My Mind" (2:05)
18. Wayne Fontana - "The Impossible Years" (2:31)
19. Wayne Fontana - "In My World" (3:04)
20. John Bromley - "If You Were There With Me" (3:14)
21. Ian Gibsons - "You Know I Need Your Loving" (3:02)
22. Dave Berry - "And I Have Learned to Dream" (3:11)
23. Majority - "Wait by the Fire" (3:14)
24. David McNeil - "Linda" (2:50)
25. Robbie Curtice with Tom Payne - "Gospel Lane" (2:38)

part1

pw = posted_first_at_chocoreve